Asger Jorn, Im Anfang wardas Bild, 1965
Asger Jorn, Im Anfang wardas Bild, 1965
Naissance d’une galaxie (Birth of a Galaxy) by Max Ernst, 1969. Oil on canvas, 92 x 73 cm.
(via necr-ophelia)
Greg Dunn’s stunning gold leaf paintings of cells, neurons and other natural wonders are fit for any wall.
(via museumofusefulthings)
Alfred Guillou (1844-1926)
Adieu
1892
Oil on canvas
245 x 170 cm
Musee des Beaux-Arts de Quimper
Lovers In An Upstairs Room, from Uta Makura (‘Poem of the Pillow’) - Kitagawa Utamaro, 1788
From the British Museum:
Written on the fan is a suggestive verse by the comic poet Yadoya no Meshimori:
Hamaguri ni
Hashi o shikka to
Hasamarete
Shigi tachikanuru
Aki no yūgureIts beak caught firmly
In the clam shell,
The snipe cannot
Fly away
Of an autumn eveningThe ‘Poem of the Pillow’ is the first of a series of de luxe printed books produced by Utamaro in partnership with the publisher Tsutaya Jūsaburō. The variety of themes - birds, shells, snow, moon and flowers - widened the range of subject-matter and styles in Ukiyo-e of the time.
Winter, Yosemite Valley - Ansel Adams, 1933-34
From the Heilbrunn Timeline of Art History:
A man whose name is, for many, synonymous with landscape photography, Adams was one of America’s most well-known photographers by the mid-1930s, just a few years after his decision to pursue photography as a career. He came to the medium from a background in music and a profound love of the western landscape, particularly that of the High Sierra and Yosemite Valley, where he made the vast majority of his negatives, as well as this photograph. Both influences are clearly evident in this work: the strong vertical dark lines of the tree trunks create a base-line grid for the delicate melody of horizontal, snow-tipped branches, while the clean precision of the print mimics crisp mountain air. As a result, this, like most of Adams’ photographs, functions as the graphic equivalent of natural experience.